Lilly

Lilly is actually the first one drawn in the sketch seen on the Daphne post. It took a moment to draw her as well as it did Madeline because I wouldn't stop drawing them covering up their bodies. I have no idea why. So I put clothes on the last two...still they had to have flowers. It was something I added because it isn't shown with women of color too much.

I saw them all of the time when studying art nouveau with Alphonse Mucha most often...the flowers that is. Definitely not women of color, which I have written about before.

Instead of placing Lilly in a field and being a city girl myself, I really like the texture and design of brick. Don't ask why. I noticed that I have done this several times before in other works of mine. What she is looking at, and it didn't come out too well in the scanning process is a humming bird.

I was talking to a co-worker that deliberately plants certain flowers for the humming birds to come to his garden. In Michigan? I have never seen them. He says after awhile they have got friendly with him and will buzz right to his hand... or rather humm. That was a little hard to believe but apparently on my mind when drawing this one.

You will notice I made some close up shots of her face. This is a little larger then 5x8 tonal paper. I was just trying to see if I could make the detail as fine as I could for such a small work. It isn't an ACEO small still smaller then what I am use to.

The camisole with the pink check and white lace is cute with the blue jeans and polka dot head band.I was a little concerned that the red would clash with the pink but I think it works. I will have this piece on sale at the end of the month. I will link here when it become available.

Madeline

I don't really like doing practice sketches because it seems to be just a waste of paper. I recall when I took drawing classes in between my regular course work, I did so to break up the monotony but I really got to enjoy it. Anyway, as I was learning that it was necessary to warm up before starting a serious drawing, I had to purchase newsprint. It was a cheap paper just for those practice sketches ... I still had to go purchase it. There I was in class watching this one guy who was an architect major. He would no sooner start one sketch then rip it off the easel and throw it to the floor
to start another. I recall thinking, how wasteful? When I saw the teacher go behind the student to pick up the drawing to study and then grade on what was going to be thrown away, I had to get a grip.

Away from the class, I had to start remembering the better habits of the art class to do better work. Here are the sketches of Lilly, Daphne, and Poppy. As you see in the previous post of Daphne, I squeezed them together in my sketch book. I still can't imagine drawing just to throw it away. Madeline didn't make the sketch. She was one of those "happy accidents" Bob Ross use to talk about.


I put clothes on Madeline because I was noticing that how each one had their arms covering themselves or backs turned away. It wasn't intentional, but I was going with it. Madeline doesn't really have a story to tell other than it isn't too often that a girl or woman of color is illustrated in nature, with birds and flowers. I figured it was high time.

You will notice that she has a head covering. It wasn't supposed to be a bandanna but I didn't wish to draw all of the fabric on her head, or a bowl, or carrying laundry as I have seen done with African maidens. Why can't she just be a girl that likes birds, flowers, and the things of nature like fair complected females are depicted doing? I added a bird for interest and color contrast, which you will see for yourself.

The flowers I chose that went well with the color of her skin and outfit are Morning Glory. This particular blue went well with the Prisma-color Scarlet Lake and and the Grass Green background. I was pleased with the finished product which will be on sale at http://www.redbubble.com next week. I will link it here when it is available.